RJD and a Father’s Pride

Perhaps it’s because I recently started reading The Bible (more on that later, to be sure), or maybe it’s because I have been spending more time with my own dad, but I feel super charged with sentimentality lately. Twice in the past few weeks, our family has been doing family stuff when my son quieted everyone because a Dio song started playing. I must say that in both instances, a tear welled up, filled with the essence that only makes tears of emotion, and lodged itself in the corner of my eye. They were strong tears, tears of appreciation, tears of pride, tears that are made of the desert rains that quench the eyes of fathers who are taught to keep their eyes dry of tears responding to pain or emotion. Those arid eyes are only dry as long as they have not been inspired by the power of witnessing their child’s birth, by watching The Green Mile, by experiencing a kidney stone, or by witnessing their child shush people so that they can throw horns in reverence to “Rainbow in the Dark.”

When my son shut us down to hear “Holy Diver,” and all was quiet save for magnificent 80s keyboard and guitar, an image formed in my mind. I was taken to a scene of crags and mist. A throne was perched atop a pillar of stone. A man, diminutive yet mighty, kind of like if Yoda and Carla from Cheers had a kid, stood in front of the throne. Far below, on our earthly plane, someone rolled a critical hit, and the man raised a fist in acknowledgement of the mighty blow. He nodded his head to someone reaching the final credits after having watched each of the Lord of the Rings movies in succession. He gave a pointed index finger of power each time an adventuring party formed a Heaven and Hell era tribute band. The man stopped his gestures of favor to the devout and fixed his gaze earthward. He focused on a single spot, a keep deep in the suburbs. A family joined in feast stopped their communal repast at the raised palm of a small child. A powerful, mystical wind could be heard. The boy gave a hushed request for silence, and he issued a terse explanation with simply, “Holy Diver.” The man in the mountain smiled a knowing smile, sat himself upon his throne, and gave the highest of all blessings in his might, the ward against the Malocchio, the sign of love and power, the extended index and small fingers forming the horns of the elect.

Back on Earth, the family was entranced by the magic sounds, the boy nodded to the meter, and the matriarch shook her head. The scene was only interrupted by a sincere and motherly, “You dorks.” For my son and the future daughters and sons of my son, I thank you, Ronnie James Dio. May your might be felt for ages to come.

Have a good day!

Otto Scungy

 

Holy Diver

Heaven and Hell

Dungeons & Dragons commercial

https://youtu.be/q1wGlOwn1pM

Early Music

    I have my mom to thank for my early exposure to music. To my dad, music was just an incidental part of the ambient environment. He had some opinions about it, but not strong ones. My mom, on the other hand, would sing in the car and play music at home. I was a toddler when I began to butcher “How Long” by the Pointer Sisters. I couldn’t master the articulation of, “Betcha got a chick on the side, sure you got a chick, I know you got a chick on the side.” I could only sing, “Chicka chicka chicka chicka side,” but you have to admit that I had decent improvisational skills.

    I remember getting excited whenever I heard a talking guitar on, “Do You Feel,” by Peter Frampton. Go ahead and scoff, but some novelties are cooler than others, and a talking guitar (or smoking guitar a la Ace Frehley, or talking keyboard a la Roger Troutman) is blow-your-mind cool to a little kid. I want my son to have that same excitement about music, but Peter Frampton isn’t necessarily what gets his head bobbing. He is, however, impressed with the robotic voice of Devo’s “Watch Us Work It.” He also like the pitch change in Bruno Mars’s “Money Make Her Smile.” He calls it, “Money, Money,” so I’m relatively sure that he doesn’t know that the song is about a stripper.

Lyrical content aside, it makes me happy to see a sense of wonder for music in my son that I remember having when I was his age. As a parent of a five-year-old, only child, I’m still learning how to avoid drawing attention to the themes of songs (how did I not know what “Plaster Caster” was about?). He is only five, after all, and I desperately hope that he always finds excitement in sound. Even if those sounds may be cheesy novelties, I appreciate the sense of appreciation. That sense never left me, and I went on to think songs like Hellwitch’s “Mordirivial Dissemination” were scary cool. I like having common interests, so the prospect of having a kid who always likes thrash appeals to me, but I will be always be happy knowing that my son has more than a passing interest in and opinion of music of any kind. If it happens to be a novel effect that ignites or fans the flame of interest, so be it. Thanks be to the vocoder.

 

Links to songs are provided below.

Have a good day!

Otto Scungy

 

How Long (Betcha Got a Chick on the Side) by Pointer Sisters

 

Do You Feel Like We Do by Peter Frampton

https://youtu.be/vcBFqf01E-8?t=5m23s

 

Watch Us Work It by Devo

 

Money Make Her Smile by Bruno Mars

 

Mordirivial Dissemination by Hellwitch